| On the structure of contemporary Japanese aesthetics R Amit Philosophy East and West, 174-185, 2012 | 28 | 2012 |
| The Sword and The Screen: The Japanese Period Film 1915-1960 A Gerow, R Amit, R Cook, S Good, S Malissa, S Poland, G Ting, ... | 5 | 2012 |
| What Is Japanese Cinema?: Imamura Taihei's Wartime Theory of Japanese Film, Tradition, and Art R Amit positions: asia critique 27 (4), 597-621, 2019 | 4 | 2019 |
| Shall we dance, Rajni? The Japanese cult of Kollywood R Amit Participations: International Journal of Audience Research 14 (2), 2017 | 3 | 2017 |
| Programming a Public Mediascape: Distribution and the Japanese Motion Pictures Experience R Amit On_Culture: The Open Journal for the Study of Culture, 2019 | 2 | 2019 |
| The Right to Misunderstand Japanese Cinema: Tsurumi Shunsuke, Imamura Taihei and Muthu, the Dancing Maharaja R Amit New Ideas in East Asian Studies: Special Edition: Critique of/in Japanese, 2017 | 2 | 2017 |
| The Japanese postwar golden age of cinema: industry, reception, and demographics as an aesthetic R Amit Dissertation, 2016 | 2 | 2016 |
| The dark line of Japanese noir: generic appropriation, Matsumoto Seichō, and Nomura Yoshitarō’s Stakeout (1958) R Amit Journal of Japanese and Korean Cinema 16 (2), 155-171, 2024 | | 2024 |
| Bond in Japan: International Pride, National Disgrace, and Glo/Cal Intricacies R Amit Global James Bond: (Re)Imagining and Transplanting a Popular Culture Icon, 2024 | | 2024 |
| Making Audiences: A Social History of Japanese Cinema and Media by Hideaki Fujiki R Amit Monumenta Nipponica 78 (2), 284-289, 2023 | | 2023 |
| A Remake, But…: Media Infantility in Ozu’s Good Morning R Amit East Asian Film Remakes, 124–139, 2023 | | 2023 |
| Minding the Gap: Adaptation of and Mental Disability in Quiet Life (1990, 1995) R Amit Adaptations of Mental and Cognitive Disability in Popular Media, 173-186, 2022 | | 2022 |
| The Legend of Prince Rama and the Emergence of an Indian Animé: A Japanese Mediation of the Sanskrit Epic R Amit Animation Studies Journal 17, 2022 | | 2022 |
| Review of: Doron Galili's Seeing by Electricity: The Emergence of Television, 1878–1939. Durham, NC: Duke University Press, 2020. 247 pp R Amit Critical Inquiry 47 (4), 2021 | | 2021 |
| Review of New Essays in Japanese Aesthetics R Amit Japanese Language and Literature 55 (1), 378-383, 2021 | | 2021 |
| Visions of Trans-Asian Orientalism: Indo-Japanese Cinematic Plagiarism, Misrepresentations, and Voluntary Blindness R Amit Japan Beyondits Borders: Transnational Approaches to Film and Media …, 2020 | | 2020 |
| Converging on Love and Indifference: Mediated Otherness in South and East Asia R Amit Media Culture in Transnational Asia: Convergences and Divergences, 17-36, 2020 | | 2020 |
| Ringing Home, Missed Calls, and Unbroken Land-Lines: Domestication of, and Miscommunication in, K- and J-Horror R Amit Dark Forces at Work: Essays on Social Dynamics and Cinematic Horrors, 15, 2019 | | 2019 |
| Emiliano Aguilar received his MA from the Universidad de Buenos Aires (UBA)—Facultad de Filosofía y Letras (Argentina). Among his publications are essays in New Heart and New … R Amit Dark Forces at Work: Essays on Social Dynamics and Cinematic Horrors, 333, 2019 | | 2019 |
| Review of: The End of Japanese Cinema: Industrial Genres, National Times, Media Ecologies by Alexander Zahlten R Amit Film Quarterly 71 (4), 2018 | | 2018 |
