Stephen McAdams

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Bruno L. GiordanoCNRS - Institut de Neurosciences de la Timone (INT)Verified email at univ-amu.fr
Daniel PressnitzerCNRS & Ecole normale supérieureVerified email at ens.fr
Hauke EgermannProfessor at University of CologneVerified email at uni-koeln.de
Alain de Cheveigne'Senior Scientist, CNRS / ENS / Université Paris Descartes / University College LondonVerified email at ens.fr
Kai SiedenburgGraz University of TechnologyVerified email at tugraz.at
Guillaume LemaitreInstitut de Recherche et de Création Acoustique MusiqueVerified email at ircam.fr
Nils PetersAssistant Professor for Acoustics, Audio DSP & ML at Trinity College DublinVerified email at ieee.org
Marcus PearceQueen Mary University of LondonVerified email at qmul.ac.uk
David R. W. SearsAssociate Professor, Interdisciplinary Arts, Texas Tech UniversityVerified email at ttu.edu
Georgios MarentakisØstfold University CollegeVerified email at hiof.no
Etienne THORETCNRS Research Scientist, Institut de Neurosciences de la TimoneVerified email at cnrs.fr
Geraint WigginsProfessor of Computational Creativity, Vrije Universiteit Brussel / Queen Mary University of LondonVerified email at vub.ac.be
Pascal BelinAix-Marseille University, Institut des Neurosciences de La TimoneVerified email at univ-amu.fr
William M. HartmannProfessor of Physics, Michigan State UniversityVerified email at pa.msu.edu
Stuart SorokaDepartments of Communication and Political Science, UCLAVerified email at ucla.edu
Valery NosulenkoInstitute of psychology, Russian academy of sciencesVerified email at ipras.ru
Albert BregmanEmeritus Professor of Psychology, McGill UniversityVerified email at mcgill.ca
Jeremy MarozeauTechnical University of DenmarkVerified email at elektro.dtu.dk
James W Beauchampprofessor emeritus of electrical and computer engineering and music, university of illinois atVerified email at illinois.edu
Sophie SavelLaboratoire de Mécanique et d’Acoustique, Centre National de la Recherche Scientifique, UPR 7051Verified email at lma.cnrs-mrs.fr

Stephen McAdams

McGill University

Verified email at mcgill.ca - Homepage

psychoacoustics music psychology cognitive music theory orchestration


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Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes S McAdams, S Winsberg, S Donnadieu, G De Soete, J Krimphoff Psychological research 58, 177-192, 1995	938	1995
The timbre toolbox: Extracting audio descriptors from musical signals G Peeters, BL Giordano, P Susini, N Misdariis, S McAdams The Journal of the Acoustical Society of America 130 (5), 2902-2916, 2011	578	2011
News, politics, and negativity S Soroka, S McAdams Political communication 32 (1), 1-22, 2015	473	2015
Thinking in sound: The cognitive psychology of human audition. SE McAdams, EE Bigand Based on the fourth workshop in the Tutorial Workshop series organized by …, 1993	443	1993
Hearing musical streams S McAdams, A Bregman Computer Music Journal, 26-60, 1979	424	1979
Acoustic correlates of timbre space dimensions: A confirmatory study using synthetic tones A Caclin, S McAdams, BK Smith, S Winsberg The Journal of the Acoustical Society of America 118 (1), 471-482, 2005	375	2005
Recognition of sound sources and events S McAdams Thinking in sound: The cognitive psychology of human audition, 146-198, 1993	375	1993
Enhanced pure-tone pitch discrimination among persons with autism but not Asperger syndrome A Bonnel, S McAdams, B Smith, C Berthiaume, A Bertone, V Ciocca, ... Neuropsychologia 48 (9), 2465-2475, 2010	314	2010
Caractérisation du timbre des sons complexes. II. Analyses acoustiques et quantification psychophysique J Krimphoff, S McAdams, S Winsberg Le Journal de Physique IV 4 (C5), C5-625-C5-628, 1994	282	1994
Spectral fusion, spectral parsing and the formation of auditory images SE McAdams Stanford university, 1984	254	1984
The dependency of timbre on fundamental frequency J Marozeau, A De Cheveigné, S McAdams, S Winsberg The Journal of the Acoustical Society of America 114 (5), 2946-2957, 2003	241	2003
Perspectives on the contribution of timbre to musical structure S McAdams Computer music journal 23 (3), 85-102, 1999	236	1999
Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music H Egermann, MT Pearce, GA Wiggins, S McAdams Cognitive, Affective, & Behavioral Neuroscience 13, 533-553, 2013	230	2013
Material identification of real impact sounds: Effects of size variation in steel, glass, wood, and plexiglass plates BL Giordano, S McAdams The Journal of the Acoustical Society of America 119 (2), 1171-1181, 2006	222	2006
The representation of auditory source characteristics: Simple geometric form S Lakatos, S McAdams, R Caussé Perception & psychophysics 59 (8), 1180-1190, 1997	221	1997
Feature dependence in the automatic identification of musical woodwind instruments JC Brown, O Houix, S McAdams The Journal of the Acoustical Society of America 109 (3), 1064-1072, 2001	202	2001
Music induces universal emotion-related psychophysiological responses: comparing Canadian listeners to Congolese Pygmies H Egermann, N Fernando, L Chuen, S McAdams Frontiers in psychology 5, 116059, 2015	195	2015
Instrument sound description in the context of MPEG-7 G Peeters, S McAdams, P Herrera ICMC: International Computer Music Conference, 166-169, 2000	192	2000
Hearing a mistuned harmonic in an otherwise periodic complex tone WM Hartmann, S McAdams, BK Smith The Journal of the Acoustical Society of America 88 (4), 1712-1724, 1990	189	1990
The perception of musical timbre S McAdams, BL Giordano	187	2008

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