| Making Asian American film and video: History, institutions, movements J Okada Rutgers University Press, 2015 | 77 | 2015 |
| " Noble and uplifting and boring as hell": Asian American film and video, 1971-1982 J Okada Cinema Journal, 20-40, 2009 | 18 | 2009 |
| The PBS and NAATA Connection: Comparing the public spheres of Asian American film and video J Okada The Velvet Light Trap 55 (1), 39-51, 2005 | 15 | 2005 |
| Making Asian American Film and Video: History J Okada Institutions, Movements (New Brunswick, NJ: Rutgers University Press, 2015) 16, 0 | 8 | |
| Collectivity and Loneliness in Laurel Nakadate’s Post-Racial Identity Aesthetics J Okada The Routledge Companion to Asian American Media, 2017 | 7* | 2017 |
| Cultural Odor in the Global Order: Globalization and the Raced Japanese Body J Okada Transnational Asian Identities in Pan-Pacific Cinemas, 46-58, 2012 | 6* | 2012 |
| Representation, Recognition and the Possibility of A Radically Transformed Future: Renee Tajima-Peña’s Asian Americans (2020) J Okada Film Quarterly 74 (1), 11-20, 2020 | 4* | 2020 |
| Marcel L'Herbier's Forfaiture: Photogénie, Race, and Homoerotic Homage in the French Remake of DeMille's The Cheat J Okada Quarterly Review of Film and Video 25 (5), 368-381, 2008 | 3 | 2008 |
| History and Memory: Asian American Film and Video in Its Institutional Contexts J Okada University of California, Los Angeles, 2005 | 3 | 2005 |
| Asian American independent media J Okada Race and media: Critical approaches, 116-126, 2020 | 1 | 2020 |
| Nam June Paik and Laurel Nakadate at the margins of Asian American film and video J Okada Cinema Journal 56 (3), 136-141, 2017 | 1 | 2017 |
| A Self-Defining Series: A Forum on the PBS’s Asian Americans SL Chiang, G Lee, R Tajima-Peña, J Okada Amerasia Journal 46 (3), 315-329, 2020 | | 2020 |
| Fakin da Funk (1997) and Gook (2017): Exploring Black/Asian Relations in the Asian American “hood” Film J Okada Hollywood at the Intersection of Race and Identity, 2019 | | 2019 |
| Hara Kazuo and Extreme Private Eros: Love Song 1974 (1974) J Okada Exploiting East Asian Cinemas, 2018 | | 2018 |
| James Tweedie, The Age of New Waves: Art Cinema and the Staging of Globalization. J Okada Screen 57 (1), 111-114, 2016 | | 2016 |
| The Chinese Diaspora on American Screens: Race, Sex, and Cinema. By GINA MARCHETTI. Philadelphia: Temple University Press, 2012. xii, 242 pp. $79.50 (cloth). J Okada The Journal of Asian Studies 72 (3), 676-678, 2013 | | 2013 |
| The Hypersexuality of Race: Performing Asian/Asian American Women on Stage and Screen J Okada Journal of Asian American Studies 11 (3), 376-379, 2008 | | 2008 |
| Screening Asian Americans J Okada Film Quarterly 56 (4), 66, 2003 | | 2003 |