| Earsketch: A steam-based approach for underrepresented populations in high school computer science education B Magerko, J Freeman, T Mcklin, M Reilly, E Livingston, S Mccoid, ... ACM Transactions on Computing Education (TOCE) 16 (4), 1-25, 2016 | 122 | 2016 |
| Engaging underrepresented groups in high school introductory computing through computational remixing with EarSketch J Freeman, B Magerko, T McKlin, M Reilly, J Permar, C Summers, ... Proceedings of the 45th ACM technical symposium on Computer science …, 2014 | 116 | 2014 |
| Extreme sight-reading, mediated expression, and audience participation: Real-time music notation in live performance J Freeman Computer Music Journal 32 (3), 25-41, 2008 | 112 | 2008 |
| Creativity in authentic STEAM education with EarSketch S Engelman, B Magerko, T McKlin, M Miller, D Edwards, J Freeman Proceedings of the 2017 ACM SIGCSE Technical Symposium on Computer Science …, 2017 | 72 | 2017 |
| echobo: A mobile music instrument designed for audience to play SW Lee, J Freeman Ann Arbor 1001 (48109-2121), 10-44, 2013 | 65 | 2013 |
| Large audience participation, technology, and orchestral performance J Freeman Proceedings of the 2005 International Computer Music Conference, 757-760, 2005 | 62 | 2005 |
| Collaborative textual improvisation in a laptop ensemble J Freeman, AV Troyer Computer Music Journal 35 (2), 8-21, 2011 | 60 | 2011 |
| massMobile–an Audience Participation Framework N Weitzner, J Freeman, S Garrett, YL Chen | 59* | |
| Is Moore's Party Over? MY Vardi Commun. ACM 54 (11), 5, 2011 | 51 | 2011 |
| Authenticity and personal creativity: How EarSketch affects student persistence T McKlin, B Magerko, T Lee, D Wanzer, D Edwards, J Freeman Proceedings of the 49th ACM Technical Symposium on Computer Science …, 2018 | 43 | 2018 |
| EarSketch: Teaching computational music remixing in an online Web Audio based learning environment A Mahadevan, J Freeman, B Magerko, JC Martinez Web Audio Conference, 2015 | 39 | 2015 |
| Tackling engagement in computing with computational music remixing B Magerko, J Freeman, T McKlin, S McCoid, T Jenkins, E Livingston Proceeding of the 44th ACM technical symposium on Computer science education …, 2013 | 37 | 2013 |
| Soundscape composition and field recording as a platform for collaborative creativity J Freeman, C Disalvo, M Nitsche, S Garrett Organised Sound 16 (3), 272-281, 2011 | 37 | 2011 |
| Towards a Hybrid Recommendation System for a Sound Library. J Smith, D Weeks, M Jacob, J Freeman, B Magerko IUI workshops 19, 2019 | 35 | 2019 |
| EarSketch: engaging broad populations in computing through music J Freeman, B Magerko, D Edwards, T Mcklin, T Lee, R Moore Communications of the ACM 62 (9), 78-85, 2019 | 31 | 2019 |
| Web-based collaboration, live musical performance and open-form scores J Freeman International Journal of Performance Arts and Digital Media 6 (2), 149-170, 2010 | 31 | 2010 |
| Real-time music notation in mixed laptop–acoustic ensembles SW Lee, J Freeman Computer Music Journal 37 (4), 24-36, 2013 | 30 | 2013 |
| EarSketch: An integrated approach to teaching introductory computer music S McCoid, J Freeman, B Magerko, C Michaud, T Jenkins, T Mcklin, H Kan Organised Sound 18 (2), 146-160, 2013 | 29 | 2013 |
| The architecture of auracle: a real-time, distributed, collaborative instrument C Ramakrishnan, J Freeman, K Varnik Proceedings of the 2004 conference on New interfaces for musical expression …, 2004 | 29 | 2004 |
| Assessing the attitudes towards computing scale: A survey validation study D Wanzer, T McKlin, D Edwards, J Freeman, B Magerko Proceedings of the 50th ACM Technical Symposium on Computer Science …, 2019 | 27 | 2019 |
