| Selfiecity: Exploring photography and self-fashioning in social media A Tifentale, L Manovich Postdigital aesthetics: Art, computation and design, 109-122, 2015 | 624* | 2015 |
| Competitive Photography and the Presentation of the Self A Tifentale, L Manovich Exploring the Selfie: Historical, Theoretical, and Analytical Approaches to …, 2018 | 140* | 2018 |
| The Selfie: Making Sense of the “Masturbation of self-image” and the “Virtual mini-me” A Tifentale Selfiecity. net, 1-24, 2014 | 77 | 2014 |
| Selfiecity L Manovich, M Stefaner, M Yazdani, D Baur, D Goddemeyer, A Tifentale, ... New York, February, 2014 | 45 | 2014 |
| The Exceptional and the Everyday: 144 Hours in Kiev L Manovich, A Tifentale, M Yazdani, J Chow 2014 IEEE International Conference on Biga data, 72-79, 2014 | 42 | 2014 |
| Art of the masses: from Kodak Brownie to Instagram A Tifentale Networking Knowledge: Journal of the MeCCSA Postgraduate Network 8 (6), 2015 | 36 | 2015 |
| The Selfie: More and Less than a Self-Portrait A Tifentale Routledge Companion to Photography and Visual Culture, 2018 | 23 | 2018 |
| The Networked Camera at Work. Why Every Self-Portrait Is Not a Selfie, but Every Selfie Is a Photograph A Tifentale Riga Photography Biennial 2016, 74-83, 2016 | 17 | 2016 |
| Making Sense of the Selfie: Digital Image-making and Image-sharing in Social Media A Tifentale Scriptus Manet 1, 47-59, 2015 | 16 | 2015 |
| Rules of the Photographers’ Universe A Tifentale Photoresearcher, 68-77, 2017 | 9 | 2017 |
| The family of man: The photography exhibition that everybody loves to hate A Tifentale FK magazine, 2018 | 7 | 2018 |
| Defining Competitive Photography A Tifentale AliseTifentale. net, 2016 | 7 | 2016 |
| What Is the Flag We Rally Around? Trust in Information Sources at the Outset of the COVID-19 Pandemic in Latvia A Rožukalne, V Kleinberga, A Tīfentāle, I Strode Social Sciences 11 (3), 123, 2022 | 6 | 2022 |
| Is COVID-19 an ‘ordinary flu’that benefits politicians? Perception of pandemic disinformation in Latvia A Rožukalne, S Murinska, A Tīfentāle Communication Today, 2021 | 6 | 2021 |
| Selfie City. Investigating the Style of self-portraits (selfies) in five Cities across the World L Manovich, M Stefaner, M Yazdani Recuperado de http://www. selfiecity. net/Última fecha de consulta 29 (08), 2017, 2014 | 6 | 2014 |
| The Photograph as Art in Latvia, 1960-1969 A Tifentale Riga: Neputns, 2011 | 6* | 2011 |
| Photographers breaking the Iron Curtain: Role of informal international communication networks in Soviet photography A Tifentale IAMCR (International Association for Media and Communication Research …, 2011 | 6 | 2011 |
| Competitive Photography and the Presentation of the Self. Exploring the Selfie: Historical, Analytical and Theoretical Approaches to Digital Self-Photography L Manovich, A Tifentale Palgrave Macmillan, forthcoming. Recuperado de http://manovich, 2016 | 5 | 2016 |
| Investigating the style of self-portraits (selfies) in five cities across the world L Manovich, M Stefaner, M Yazdani, D Baur, D Goddemeyer, A Tifentale, ... | 5 | 2014 |
| Entering the Elusive Estate of Photographer Zenta Dzividzinska A Tifentale MoMA Post, 2021 | 4 | 2021 |
Lev ManovichProfessor, The Graduate Center, CUNYVerified email at gc.cuny.edu