| “Waiting for the Bass to Drop”: Correlations between intense emotional experiences and production techniques in build-up and drop sections of electronic dance music RT Solberg Dancecult: Journal of Electronic Dance Music Culture 6 (1), 61-82, 2014 | 78 | 2014 |
| Pleasurable and intersubjectively embodied experiences of electronic dance music RT Solberg, AR Jensenius Empirical Musicology Review 11 (3-4), 301-318, 2016 | 55 | 2016 |
| Group behaviour and interpersonal synchronization to electronic dance music RT Solberg, AR Jensenius Musicae Scientiae 23 (1), 111–134, 2019 | 44 | 2019 |
| Peak experiences with electronic dance music: Subjective experiences, physiological responses, and musical characteristics of the break routine RT Solberg, N Dibben Music Perception: An Interdisciplinary Journal 36 (4), 371-389, 2019 | 38 | 2019 |
| Optical or inertial? Evaluation of two motion capture systems for studies of dancing to electronic dance music RT Solberg, AR Jensenius Logos Verlag Berlin, 2016 | 29 | 2016 |
| Feeling, moving and grooving in timelessness: ein studie av tidsoppleving knytt til elektronisk dansemusikk (EDM) RT Solberg | 4 | 2011 |
| Exploring the club experience: Affective and bodily experiences of electronic dance music RT Solberg International Conference of Students of Systematic Musicology, 2014 | 1 | 2014 |
| GROUP INTERACTION AND SYNCHRONISATION TO MUSICAL PASSAGES OF ELECTRONIC DANCE MUSIC RT Solberg, AR Jensenius DHN 2016 Oslo March 15-17 26 (2), 147, 0 | | |
Alexander Refsum JenseniusProfessor of Music Technology, Director of RITMO, University of OsloVerified email at imv.uio.no