| Geçmişten Günümüze Gerçeküstücülük/Surrealism: Past and Present YB Vangölü Atatürk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 20 (3), 2016 | 31 | 2016 |
| Disiplinci İktidarın Eleştirel Bir Değerlendirmesi Olarak Sarah Kane'in Cleansed Adlı Oyunu YB VANGÖLÜ Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi 57 (1), 2017 | 4* | 2017 |
| Revisiting the Dystopian Visions in Not Not Not Not Not Enough Oxygen by Caryl Churchill. Y BİBER VANGÖLÜ Journal of Faculty of Letters/Edebiyat Fakultesi Dergisi 34 (1), 2017 | 4 | 2017 |
| Drunk Enough to Say I Love You? Y Biber Interactions 17 (1), 149-153, 2008 | 4 | 2008 |
| Representations of Pandemic in Literature YB Vangölü, T Aygan Yakutiye: Atatürk University Publication House, 2021 | 2 | 2021 |
| Terror, Spatiality, and the Future in Maria Irene Fornes's Terra Incognita YB Vangölü Latin American Theatre Review 54 (2), 51-70, 2021 | 1 | 2021 |
| Caryl Churchill’in Seven Jewish Children Adlı Oyununda Gayri-İnsanileştirme Olgusu YB Vangölü, N Ercisli Atatürk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 24 (2), 605-623, 2020 | 1 | 2020 |
| Still Expressing the Need for the Rational: Edward Bond’s Dea YB Vangölü TDR/The Drama Review 61 (3), 173-177, 2017 | 1 | 2017 |
| LOCATING THE EUROPEAN CARNIVAL IN THE CULTURAL HISTORY OF BRITAIN. Y BİBER VANGÖLÜ Milli Folklor 33 (131), 2021 | | 2021 |
| LOCATING THE EUROPEAN CARNIVAL IN THE CULTURAL HISTORY OF BRITAIN YB Vangölü Milli Folklor 17 (131), 131-140, 2021 | | 2021 |
| TAKING OVER THE BODY AND THE STATE: DAVID HARE’S COVID-PLAY BEAT THE DEVIL YB Vangölü Representations of Pandemic in Literature: International Symposium, 80-86, 2021 | | 2021 |
| Verbatim Tiyatro, Politika, Gerçeklik ve Otorite Sorunu Y Biber Vangölü Çağdaş Britanya Tiyatrosu ve Politika, 41-71, 2020 | | 2020 |
| From Suffering to Shangri-La: Maria Irene Fornes's Musings on the Future in Enter THE NIGHT YB Vangölü Latin American Theatre Review 51 (2), 73-89, 2018 | | 2018 |
| Yeliz BİBER VANGÖLÜ S KANE'S, AOFD POWER | | 2017 |
| Exploding the Cancer Myths: Brian Lobel’s Narrative Performance Ball Y Biber Vangölü European Journal of Language and Literature 8 (1), 147-152, 2017 | | 2017 |
| Feminist Estetik Y Biber Felsefe Sözlüğü 6, 267-273, 2009 | | 2009 |
| A Brief Survey of Gender Parity in the Theatre Industry F Gümüş, YB Vangölü Theatre Academy 2 (2), 105-115, 0 | | |
| Truth's a Dog Must to Kennel by Tim Crouch YB Vangölü Theatre Academy 1 (2), 180-184, 0 | | |
| ÇAĞDAŞ BRİTANYA TİYATROSU ve POLİTİKA İ Dilek, YB VANGÖLÜ | | |
| Still Expressing the Need for the Rational E Bond’s | | |
