| " Die Schmerzensspuren der Geschichte": zur Poetik der Erinnerung in WG Sebalds Prosa A Fuchs Böhlau, 2004 | 177* | 2004 |
| German Memory Contests: The Quest for Identity in Literature, Film, and Discourse since 1990 A Fuchs, M Cosgrove, G Grote Camden House, 2006 | 137* | 2006 |
| After the Dresden bombing: Pathways of memory, 1945 to the present A Fuchs Springer, 2011 | 88 | 2011 |
| From ‘Vergangenheitsbewältigung’to Generational Memory Contests in Günter Grass, Monika Maron and Uwe Timm A Fuchs German Life and Letters 59 (2), 169-186, 2006 | 65 | 2006 |
| Reisen im Diskurs A Fuchs, T Harden Modelle der literarischen Fremderfahrung von den Pilgerberichten bis zur …, 1995 | 62 | 1995 |
| Towards an ethics of remembering: the Walser-Bubis debate and the other of discourse A Fuchs German Quarterly, 235-246, 2002 | 54 | 2002 |
| WG Sebald and the Writing of History A Fuchs, JJ Long Königshausen & Neumann, 2007 | 51 | 2007 |
| A Space of Anxiety: Dislocation and Abjection in Modern German-Jewish Literature A Fuchs Rodopi, 1999 | 48* | 1999 |
| WG Sebald's painters: the function of fine art in his prose works A Fuchs Modern Language Review 101 (1), 167-183, 2006 | 42 | 2006 |
| Cultural memory E Caldicott, A Fuchs Peter Lang, 2003 | 37 | 2003 |
| ‘Ein Hauptkapitel der Geschichte der Unterwerfung’: representations of nature in WG Sebald’s Die Ringe des Saturn A Fuchs Königshausen & Neumann, 2007 | 32 | 2007 |
| Precarious Times: Temporality and History in Modern German Culture A Fuchs Cornell University Press and Cornell University Library, 2019 | 28 | 2019 |
| Debating German cultural identity since 1989 A Fuchs, K James-Chakraborty, L Shortt Camden House, 2011 | 27 | 2011 |
| ‘Ehrlich, du lügst wie gedruckt’: Günter Grass's Autobiographical Confession and the Changing Territory of Germany's Memory Culture A Fuchs German Life and Letters 60 (2), 261-275, 2007 | 23 | 2007 |
| A history of Austrian literature 1918-2000 KM Kohl, A Fuchs, F Krobb, R Robertson Camden House, 2006 | 23 | 2006 |
| A psychoanalytic reading of The Man who Disappeared A Fuchs The Cambridge Companion to Kafka, 25-41, 2002 | 23 | 2002 |
| Ghetto writing: traditional and Eastern Jewry in German-Jewish literature from Heine to Hilsenrath A Fuchs, F Krobb Camden House, 1999 | 23 | 1999 |
| Resonance: A Normative Category or Figure of Uncertainty? On Reading Hartmut Rosa with Thomas Mann’s The Magic Mountain A Fuchs Journal of Political Power 13 (3), 353-365, 2020 | 21 | 2020 |
| ‘Phantomspuren’: Zu W.G. Sebalds Poetik der Erinnerung in Austerlitz A Fuchs German Life and Letters 56 (3), 281-298, 2003 | 18 | 2003 |
| Reiseliteratur A Fuchs A. Kröner, 2009 | 17 | 2009 |
