| The Critique of Digital Capitalism: An Analysis of the Political Economy of Digital Culture and Technology M Betancourt Brooklyn: Punctum Books, 2016 | 182 | 2016 |
| Glitch Art in Theory and Practice: Critical Failures and Post-Digital Aesthetics M Betancourt Taylor & Francis, 2016 | 148 | 2016 |
| The History of Motion Graphics: From Avant-Garde to Industry in the United States M Betancourt Wildside Press, 2013 | 109* | 2013 |
| The Aura of the Digital M Betancourt CTheory, 11-21/2007, 2007 | 53 | 2007 |
| Kritik des digitalen Kapitalismus M Betancourt, M Weltecke WBG-Wissenschaftliche Buchgesellschaft, 2018 | 35 | 2018 |
| Immaterial Value and Scarcity in Digital Capitalism M Betancourt CTheory, 6-10/2010, 2010 | 29 | 2010 |
| Critical Glitches and Glitch Art M Betancourt Hz Journal 19, 1-12, 2014 | 26 | 2014 |
| The origins of motion graphics M Betancourt Cinegraphic,(online), Diakses pada tanggal 3, 2012 | 26 | 2012 |
| Semiotics and Title Sequences: Text-image Composites in Motion Graphics M Betancourt Taylor & Francis, 2017 | 20 | 2017 |
| Beyond Spatial Montage: Windowing, Or the Cinematic Displacement of Time, Motion, and Space M Betancourt Routledge, 2016 | 18 | 2016 |
| A taxonomy of abstract form using studies of synesthesia and hallucinations M Betancourt Leonardo 40 (1), 59-65, 2007 | 18 | 2007 |
| Title Sequences as Paratexts: Narrative Anticipation and Recapitulation M Betancourt Routledge, 2017 | 17 | 2017 |
| Motion Perception in Movies and Painting: Towards a New Kinetic Art M Betancourt CTheory, 10-23/2002, 2002 | 15 | 2002 |
| Automated Labor: The 'New Aesthetic' and Immaterial Physicality M Betancourt CTheory, 2-5/2013, 2013 | 13 | 2013 |
| Thomas Wilfred's Clavilux M Betancourt Wildside Press LLC, 2006 | 11 | 2006 |
| Typography and Motion Graphics: The 'Reading-Image' M Betancourt Routledge, 2018 | 10 | 2018 |
| THE INVENTION OF GLITCH VIDEO: DIGITAL TV DINNER M Betancourt Millennium Film Journal, 54-III, 2017 | 9* | 2017 |
| Experimental Animation and Motion Graphics M Betancourt Experimental Animation: From Analogue to Digital, 2019 | 8 | 2019 |
| Disruptive Technology: The Avant-Gardness of Avant-Garde Art M Betancourt CTheory, 5/1/2002-5/1/2002, 2002 | 8 | 2002 |
| Serial form as entertainment and interpretative framework: Probability and the ‘black box’ of past experience M Betancourt Semiotica 2005 (157), 315-324, 2005 | 7 | 2005 |
